Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, September 26, 2010

What did you do with your weekend?

I've been working on more art-themed jewelry and beaded objects for a gallery show, and just put the finishing touches on a  necklace inspired by Julie Taymor's Beatles-music film 'Across The Universe'. A wild strawberry shaped centerpiece done in crazy brick stitch on a black bead chain wasn't quite enough--so I added a 'fan' of black beads behind the green leaf part.

Yesterday I spent the afternoon at a craft show that's reputed as one of the best on the East Coast. I haven't been to enough craft shows to comment on that reputation, but it WAS pretty nice. I saw floral wall plaques made of enameled metal nails, artisan soaps/bath products, sampled champagne jelly and stopped by the local bead shop, where I picked up some teal frosted teardrop beads, a yellow calcite donut and a pair of white quartz donuts. I already have an idea percolating for the calcite, and the quartz will probably become a bold pair of earrings.

What are you doing with your weekend?

Wednesday, September 22, 2010

Whatever Wednesday: Catching Up

On this Whatever Wednesday, I'm going to do a quick couple of mini-posts of some of the posts that I meant to do earlier this week: Song Sunday, Movie Monday, Teaser Tuesday.

Song Sunday:
Born to Run by (who else, duh) Bruce Springsteen. Yeah, we've all heard this at least once. I recently had occasion to look up the lyrics and I confirmed a lyric I thought I'd heard him sing about 'strap your hands round my engines (no thanks Bruce, not that I don't love the song) and discovered I'd never noticed: the song is addressed to a person named Wendy.


Movie Monday:
The last movie I watched was Danny Boyle's 'The Beach' (from 2000, I think). This was the first time I'd seen any of Boyle's movies, and though there were a couple missteps, I conclude that he's a good filmmaker. The movie had a delicate, ever-present sense of distant but impending doom of some sort, increasing as the film neared its end. It starred a young Leonardo Dicaprio (who I learned from Inception and later, Romeo + Juliet, is actually good), the always-superb Tilda Swinton and featured a haunting turn by Robert Carlyle in an instrumental supporting role.

Teaser Tuesday:

"Do you understand any of that?"
I had to confess I did not. (Also, at the edge of my mind a picture briefly took shape: Uncle Eustace scrambling up the mountains of Samoa to sell Robert Louis Stevenson a tombstone.) --from 'The Gawgon and the Boy' by Lloyd Alexander

Tuesday, August 17, 2010

Months later, I'm still thinking about this one song

Even though the song was popular several months ago, something about Taylor Swift's 'Fifteen' really hits an emotional nerve in me, and not in a good way.

It's this song that's supposed to resonate with American girls everywhere, and though there are countless songs to which I can't really relate, this one is the ultimate example. It bothers me more than her more stylized 'Love Story' because it rings so true. So true to all the books I read, about girls who felt different, and/or supposedly were 'weird and unpopular' (yet somehow all of them went to some kind of traditional school and had at least two friends who they saw on a near-daily basis). Not true to ANY of the life I've known. I've always lived outside that social construct, never spent enough time with anyone of my own who did, to really believe in it as anything other than mostly fiction.

Taylor Swift's music is supposed to be appealing because it's so relatable, so fresh and honest, yet 'Fifteen'  seems to be peddling the Hollywood idea of young adulthood which I've always believed is mostly a myth.
And all the logic, protestations, internet ridicule for 'expecting the world to be all about me' or explanations that I'm really not missing much, are missing the point and don't make me feel any better about the song. This song brings into sharp emotional focus, how I feel about this young adult world: what bothers me is not that I never got to experience these things, but I never had the choice, or the chance to find out if what's written in the song is remotely realistic.

"Fifteen"

You take a deep breath and you walk through the doors
It's the morning of your very first day
You say "Hi" to your friends you ain't seen in a while
Try and stay out of everybody's way
It's your freshman year and you're gonna be here
For the next four years in this town
Hoping one of those senior boys will wink at you and say
"You know I haven't seen you around, before"
 (Among many things I don't regret, never having had a 'first day of school' is one of them. Never had 'friends' I saw more than a few times a year. Never had groups of boys to have a nervous hopeful feeling about, either. This last may or may not be a good thing.)


'cause when you're fifteen and somebody tells you they love you
You're gonna believe them
And when you're fifteen
Feeling like there's nothing to figure out
Well count to ten, take it in
This is life before you know who you're gonna be
Fifteen
(By 'someone' I think she means 'boys' and boy did I never have a boy tell me he loved me at fifteen. Still haven't, and probably never will. I'm not lamenting, it's just how it is.)

You sit in class next to a redhead named Abigail
And soon enough you're best friends
Laughing at the other girls who think they're so cool
We'll be out of here as soon as we can
And then you're on your very first date and he's got a car
And you're feeling like flying
And your momma's waiting up and you think he's the one
And you're dancing round your room when the night ends
When the night ends
(Best friends as opposed to what? No friends? I have never been able to comprehend the idea of having more than one friend; it was the realm of books and movies which we all know, are the prettified version of life. In books, if you're lucky, you have 'only' five friends you see on a regular basis. In what I've understood as real life, you're lucky if you have one friend you see more than three times a year. And the description of the 'first date' sounds like a complete and total fantasy, a myth invented by the media to sell to love-hungry teenagers longing for more than their lonely life. Sincerely, what fifteen-year-old boy actually has a car these days, and since when do girls actually dance around their rooms after going out with one? Classic Hollywood movie material to be sure, but that doesn't mean it happens often.)

'cause when you're fifteen and somebody tells you they love you
You're gonna believe them
When you're fifteen and your first kiss
Makes your head spin round but
In your life you'll do things greater than dating the boy of the football team
But I didn't know it at fifteen
(Never had a first kiss and never have had dreams of dating football boys. But I bet REAL first kisses are usually highly awkward and vaguely embarrassing affairs, not wonderful ones.)

When all you wanted was to be wanted
Wish you could go back and tell yourself what you know now
Back then I swore I was gonna marry him someday
But I realized some bigger dreams of mine
And Abigail gave everything she had to a boy
Who changed his mind and we both cried
(Ok, wanting to feel wanted by people who don't have to love me has been a huge problem for me lately, so I'll give the song that one first line. But the marriage bit really bugs me. Bigger dreams than marriage, huh? It's a prime example of this idiotic culture, which deifies romantic love yet devalues marriage as something a woman does if she has nothing more important to do--like have a career. As for best friend Abigail, one would think that a writer who seems to trivialize marriage, would have a similar attitude about sexual purity instead of describing it as 'everything she had'. Or maybe that's how Abigail saw it, but if that's the case, it's muddled writing.)


'cause when you're fifteen and somebody tells you they love you
You're gonna believe them
And when you're fifteen, don't forget to look before you fall
Ive found that time can heal most anything
And you just might find who you're supposed to be
I didn't know who I was supposed to be at fifteen
(I can't even begin to comprehend this chorus. I'm sure it's full of great and specific meaning to  the person who wrote it, but to me, it's a bunch of  emotional gobbledygook. I think I had a better idea of who I was supposed to be at fifteen than I do now, and years of time haven't healed what really needs healing.)

Thursday, July 8, 2010

Bead & Button Show Day 2 part A

On the second day, I had all day to myself until 4 pm, when the Show Preview floor opened for registered attendees. This year I was registered, so I got to go!
Not thinking clearly, I decided it was a good idea to spend the morning/early afternoon walking around the local mall before spending the rest of the afternoon/night walking the show floor! It was still fun though--I met a few attendees from the night before on lunch break from their classes! I bought a new music album by my favourite band, released just a few days before: Hanson's 'Shout It Out'.
They get better with every album. Sadly, I had neglected to pack a cd player, and there were none at the Borders location (what respectable Borders sells music but not a single music player??) but it was still exciting just to have it in my bag!
After buying my music, I went back to the hotel to pick up the box of food I'd shipped to my hotel room before my flight out. Just in time too--I'd about run out of food, and I didn't want to spend bead money on consumables! So I had a quick snack and shoved a sandwich and a can of orange juice in my small rolling bag for some good dinnertime energy--and set my alarm to remind me to EAT! Because If I don't, I won't, not when every shopping minute counts! That's how I roll.

I went to the Airlines Center early, to look at the world-renowned Bead Dreams exhibit. While there, I became aware of a soft-spoken woman with amazingly long hair (at least three feet of it) nearby. It was Tatiana van Iten, beadworker extraordinaire, responsible for countless breathtaking Bead Dreams and Fire Mountain Gems contest entries! One of them was in this exhibition, an amazing bead-embroidered, life-size one-shoulder top with matching bracelet. She showed me its story of a sea dragon who fell in love with a mermaid who repudiated him.
 She showed me pictures of other beadworks, with accompanying stories, like of the beaded dragon that a little girl made and sent her upon reading that Tatiana's favourite creature was a dragon. Tatiana took that dragon and incorporated it into a beaded scene of a dragon's treasure box, symbolizing her meeting with her future husband (symbolized by the dragon). Tatiana, if you're reading this and shaking your head because I got it wrong, I'm sorry! :D

Later after Tatiana had moved on, I spotted Suzanne Golden and several of her staggering beaded bangles. Arriving at her table, I kept quiet as I saw how animatedly she was talking to some editors of a German beading magazine (one of them toting an alarmingly large camera). They nodded permission for me to look at the beadiness, and I tried to stay out of the way. But man, those beads. Suzanne Golden is the exact kind of little old lady I want to be. From the moment you take in her maraschino-cherry-red hair, outlandish red sequinned jacket and 7-inch circumference bracelets in bold black and white, you know she is without fear, and, as I found out after her time with the editors ended, speaking with her only confirms that impression.
I wonder, is she without fear because she's a New Yorker, or is she a New Yorker because she is without fear? Maybe I've got it wrong and New York City has nothing to do with any of it, and I'm still just a tourist gawping at anything that reminds me of the electric billboards in Times Square.

More to come tomorrow!